“Are We to Treat Human Nature as the Early Victorian Lady Treated Telegrams?” British and German Sexual Science, Investigations of Nature and the Fight Against Censorship, c. 1890-1940

Authors

  • Jana Funke Lecturer in Medical Humanities, University of Exeter
  • Kate Fisher University of Exeter

Abstract

Existing scholarship on the history of sexology and sexual science has frequently presented sex researchers as unfortunate victims and staunch opponents of censorship. Focusing on sexual scientific debates from the end of the nineteenth century to the 1930s in Britain and Germany, this article examines how understandings of “nature” and the “natural” were mobilized by sex researchers when navigating the reality and threat of censorship. First, presenting sexual desire and intimacy as natural elements of human life supported sex researchers’ claim that sex was an appropriate and necessary object of scientific study. Second, the assertion that sex was natural was used to counter and upend the argument that sexological knowledge was potentially dangerous or damaging. Sex researchers suggested that those who sought to protect individuals from sexological findings were preventing people from having access to vital knowledge that could improve individual and social health and morality. This robust defense of sexology as a beneficial science of human nature, however, also led to intellectual incoherencies that meant that sex researchers often remained complicit with arguments in support of censorship. In attacking repressive approaches to sexual knowledge as damaging, they accepted and reinforced the premise of many arguments in favour of censorship, namely, that natural sexual impulses needed guiding, since the sexual instinct was a volatile and changeable force that could easily be influenced and even corrupted by external influences. Acknowledging this construction of sexual desire meant conceding that there were circumstances and contexts within which sexological knowledge itself needed to be regulated to prevent the sexual instinct from being misdirected. As a result, sex researchers – as well as their publishers, reviewers and readers – agreed with and, at times, actively developed censorship strategies to control the production and circulation of sexological knowledge. This was not simply because sex researchers caved into external pressures, but because the very understanding of the sexual instinct as open to influence was key to the legitimation of sexual science. The idea that human sexuality could be shaped and altered meant that it required careful scientific guidance, which sex researchers promised to provide. Sex researchers were not simply victims of censorship, but often played an active role in censoring and regulating the production and circulation of their own findings.

Author Biographies

  • Jana Funke, Lecturer in Medical Humanities, University of Exeter

    Professor Jana Funke is Associate Professor of English and Sexuality Studies in the Department of English at the University of Exeter. Her research focuses on modernist literature, the history of sexuality and sexual science, and queer/feminist theory. Books include The World and Other Unpublished Works by Radclyffe Hall (2016), and the edited volumes Sex, Gender and Time in Fiction and Culture (2011, with Ben Davies) and Sculpture, Sexuality and History: Encounters in Literature, Culture and the Arts (2018, with Jen Grove). Forthcoming books include Sexological Modernism: Queer Feminism and Sexual Science (Edinburgh University Press, 2022), Sexperts: A History of Sexology (Reaktion Press, 2022) and a book on the interdisciplinary history of sexology jointly authored with Kate Fisher. She is also co-editing (with Elizabeth English and Sarah Parker) a new edited collection entitled Interrogating Lesbian Modernisms: Histories, Forms, Genres (Edinburgh University Press, 2022) and (with Hannah Roche) the first ever critical edition of Radclyffe Hall's The Well of Loneliness (Oxford University Press, 2023). She currently directs (with Kate Fisher) the Wellcome Trust-funded Rethinking Sexology project. Her engagement and impact work includes the Wellcome Trust-funded Adventures in Time and Gender project and the National Lottery Heritage-funded Queering the Museum  project. 

  • Kate Fisher, University of Exeter

    Kate Fisher is Professor of Social and Cultural History at the University of Exeter. Books include Birth Control, Sex and Marriage in Britain, 1918-1960 (Oxford University Press, 2006), Sex Before the Sexual Revolution (with Simon Szreter, Cambridge University Press, 2010), and Sex, Knowledge and Receptions of the Past (co-edited with Rebecca Langlands, Oxford University Press, 2015). She directs (with Jana Funke) the Wellcome Trust-funded Rethinking Sexology project. Her public engagement work includes the Sex and History Project, which seeks to use historical objects to improve sex education in a variety of settings.

Published

2024-02-02

Issue

Section

Studies